Jamaica Dance Umbrella honours dance stalwart Barbara Requa & has dialogue on the state of dance!
Barbara Requa - "A Dance Educator Extraordinaire" |
The PSCCA
Arts Festival is an annual display of intercontinental performing arts with the
Jamaica Dance Umbrella specifically providing a platform honouring the work of
dancers and dance artistes while providing a platform for prominent dance
collectives from across the island, the Caribbean as well as other regions
including North and South America to showcase their talents. In celebrating 5
years as Jamaica’s premier dance festival the organisers hosted their first
dance focused panel discussion – ‘DANCE DIALOGUES: MY
LOVE AFFAIR WITH DANCE’.
The panel dubbed "Dance Dialogues" was presented under the patronage of the Embassy of France in Jamaica and produced in partnership with the Kingston Book Festival (Book Industry Association of Jamaica).
Perhaps the highlight of the afternoon, after a very vibrant and
necessary discussion on the evolution of dance in Jamaica, Barbados, the
Caribbean and its Diaspora, the JDU team honoured Mrs. Barbara Requa, the consummate
artiste who has devoted her life's work to creating an enabling environment for
the evolution of the Jamaican dance scene for generations to come.
The Panel featured Barbara Requa, Dr. L'Antoinette Stines, Monica
Dasilva, Maria Hitchins, Aisha Comissiong, and Khama Phillips who spoke of moments when they fell in love with dance and how this love has
evolved. Dr. Stines animatedly shared about standing at the gate of dance
studios clandestinely learning ballet as a little girl because she knew her
mother couldn't afford to pay for classes but she really wanted to dance and
could do it "better than the girls in the studio."
L'Antionette Stines |
Monica Dasilva |
Monica DaSilva, who has been documenting Jamaican Dance for over 25
years, spoke of the lackluster Jamaican market for dance photography. A few
audience members chimed in with suggestions, comments and comparisons to other
markets.
Maria Hitchins encouraged more scholarship on topics such as the
Jamaican dancehall culture. This discussion evolved alongside a discussion on
the "language of dance" and how this "language" can be
applicable to the wider audience. Also discussed was the responsibility of
journalists who cover dance. It was the general consensus that dancers needed
to be greater stakeholders in the process as they understood the language of
dance and could communicate it effectively.
Aisha Comissiong and Khama Phillips widened the perspective of the
discussions by sharing their stories relevant to the dance culture in Barbados
and underscored the need for greater development in the application of
contemporary infusion of home-grown dance techniques.
Khama Phillips |
The discussions
were hard hitting and very relevant to the evolution of the dance space in the
Caribbean. The involvement of the "Book Industry" as stakeholders was
apt for the occasion as there is a dearth of Caribbean publications focused on
dance.
Aisha Comissiong |
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